Friday, December 31, 2004

Sing Lustily and With Good Courage

I picked this CD recently and have found it a joy to listen to. It is a collection of hymns, performed by Maddy Prior and the Carnival Band.

One of the greatest things about the album is quite how refreshingly different it is from most hymns CDs. Cathedral choirs tends to sing with an austere beauty -- or perhaps majesty is a better word; and yet they fail to capture the joy which the hymnists (chiefly Wesley and Watts) wanted to express in so many of their hymns.

No cathedral choir could ever hope to achieve the same effect in their singing of And can it be?, for instance, nor Away with our sorrows and care, which has quickly become a well-loved hymn of my own through this CD.

I have also appreciated the different settings to which the band has placed some of the hymns. For instance, How firm a foundation has been given a lovely tune from the golden days of the Union railroad (if only the band had a harmonica player!)

The instrumental section (track 9) is also brilliant. Who said hymns couldn't be fun? The band plays the tunes for All things bright and beautiful and Let us with a gladsome mind at good speed and, with the eighteenth-century style instruments, the music wouldn't sound out of place in a barn dance!

In all, I enjoy listening to this CD a lot and am hoping that I shall soon learn the words to all the hymns I don't yet know!

Track listing:

1. Who Would True Valour See
2. Rejoice Ye Shining Worlds
3. O Thou Who Camest From Above
4. Lo He Comes With Clouds Descending
5. How Firm a Foundation
6. O for a Thousand Tongues to Sing
7. As Pants the Hart
8. The God of Abraham Praise
9. Instrumental: The Twenty-Ninth of May or The Jovial Beggars, Monkland
10. Light of the World
11. All Hail the Pow'r of Jesus' Name
12. Lord, in the Morning
13. Away With Our Sorrows and Care
14. Christ the Lord Is Ris'n Today
15. O Worship the King
16. And Can It Be?

Tuesday, December 28, 2004

A Debtor to Mercy Alone

Okay, okay, so I'm a little late with this one, too.

A debtor to mercy alone, of covenant mercy I sing;
Nor fear, with Thy righteousness on, my person and off’ring to bring.
The terrors of law and of God with me can have nothing to do;
My Saviour’s obedience and blood hide all my transgressions from view.

The work which His goodness began, the arm of His strength will complete;
His promise is Yea and Amen, and never was forfeited yet.
Things future, nor things that are now, nor all things below or above,
Can make Him His purpose forgo, or sever my soul from His love.

My name from the palms of His hands eternity will not erase;
Impressed on His heart it remains, in marks of indelible grace.
Yes, I to the end shall endure, as sure as the earnest is giv’n;
More happy, but not more secure, the glorified spirits in Heav’n.

(Augustus Montague Toplady, 1740-1778)

This hymn celebrates the truth of the security of believers, that is, that we believe that those who are truly Christians cannot stop being Christians, by God's grace. Toplady draws upon texts such as Isaiah 49:16, 2 Corinthians 1:20 and Romans 8:38-39 to press home this great truth as taught throughout Scripture, and praise God for his indescribably great grace.

Monday, December 27, 2004

The Incredibles

Shortly before Christmas, Dave and I went into Ipswich to watch The Incredibles. What follows is enough of an idea of the plot to get you interested (hopefully), without, I hope, spoilers.

The story starts fifteen years before the main plot, with the "glory days" of superheroism, when superheroes were respected and admired. Unfortunately, one of their number manages to ruin all that, getting sued in the courts. As usual, Something Must Be Done, and eventually, the Government forces superheroes to hide themselves and cease their superheroic deeds.

Fast-forward fifteen years. Mr. Incredible (whose strength knows few limits) married Elastigirl (whose body seems to come from a page out of a topology text) shortly before the trouble, and has since settled down. They have three children, a teenage daughter, a son who's about 10 or 11 and a baby boy. The two oldest children are struggling to fit in at school, being the proud owners of superhero-type powers themselves. Violet, the girl, can make arbitrary portions of her body disappear at will, and is also capable of generating force-fields which are virtually impenetrable. Dash, on the other hand, can run like lightning; a feat which gets him into trouble with teachers and means he can't play in school sports.

Mr. Incredible, now living as Robert Parr, works as a claims handler for an insurance firm, and spends his evenings with a superhero friend from the old days, Frozone, eavesdropping on police radio and carrying out missions of mercy. Returning to work after one of the evenings, he is reprimanded by his boss for helping too many people. His temper getting the better of him, he puts the loudmouthed employer through three walls and a couple of doors. Bye-bye job!

Hello new job! No sooner is he out of work than a Big Cheese is offering him employment in a capacity he could really enjoy -- as a superhero. A corporation has need of his services in disposing of some equipment gone awry on a jungle island, and there's not only a large cash payment, but a promise of future work as well.

From here on in, the action intensifies, as the recently-deretired Mr. Incredible discovers a nemesis whose ambition to destroy him is matched by a obsessive knowledge of his person. He is taken hostage and held in an island lair, followed shortly by his family. Eventually, they do battle with both the Evil Genius and his monstrous creation, whose abilities have been honed on the demise of numerous superheroes. Good wins, evil is vanquished, the family is kept together and everyone goes home happy. Well, apart from the Evil Genius whose own downfall illustrates the chief moral of the story: costumes with capes are a bad idea. Well, all right, so it isn't the chief moral.

I enjoyed the film thoroughly, as should be expected from Pixar, with its high production values and record of film-making which appeals to all ages. Especially fun for adults is the usual Pixar (this also applies to DreamWorks) game of spotting as many film references as you can. The humour is very good, and also subtle, while the plot is certainly entertaining and fresh (well, as fresh a superhero flick can be).

The only surprise to me was the rating. Perhaps I'm just being fuddy-duddy, but I was slightly surprised by the U rating it obtained -- I'd have rated it just on the PG side of the U-PG border, mainly due to the violence (no actual deaths, but lots of explosions and one or two slight injuries) and a couple of instances of bad language. That the film, when dealing with the banalities of domestic and office life, seemed a little grittier than normal for a kids' film probably didn't help. However, these are but minor concerns.

Overall, I'd give this film a nine out of ten: you need a good reason not to want to see this one.

Friday, December 24, 2004

Design changes

I'm going to be mucking about with some design stuff, so (if anyone actually reads this thing and cares...) it may look a bit freaky over the next week. Especially given it's Christmas, and I won't necessarily be able to use the Internet-capable computer at home. Well, Internet-almost-capable (you should see the mouse on this thing, it's worse than a shopping trolley).

I'm also hoping to experiment with email posting, so hopefully we can get that up and running. So far, one post has sucessfully made it -- with editing -- while the next one got bounced by the system. I have re-tried it, and fingers crossed, it'll get through this time. Email posting: sounds nice, but I have yet to be convinced.

Thursday, December 23, 2004

Hymn of the week

In a vain attempt to force myself into regular posting habits, I shall endeavour to post a hymn and a short commentary once a week. It'll normally be on Mondays, but this week only, it's on a Wednesday.

This week's hymn is seasonal; a Christmas carol.

Joy to the world, the Lord is come!
Let earth receive her King;
Let every heart prepare Him room,
And Heaven and nature sing.

Joy to the world, the Saviour reigns!
Let men their songs employ;
While fields and floods, rocks, hills and plains
Repeat the sounding joy.

No more let sins and sorrows grow,
Nor thorns infest the ground;
He comes to make His blessings flow
Far as the curse is found.

He rules the world with truth and grace,
And makes the nations prove
The glories of His righteousness,
Wonders of His love.

(Lyrics shamelessly nicked from The CyberHymnal, link to the left.)

This is probably my favourite Christmas carol -- something I recently discovered was that the less a Christmas carol focusses on the Nativity scene, the more I like it. Nativity scene carols are mawkish, sentimental, wishy-washy and dire. Joy to the World, on the other hand, is great.

Of course, I would say that -- I'm a Watts enthusiast to the core. But it is truly brilliant. I love the third verse, which unfortunately, isn't always sung. The message of the gospel is one which touches the whole world, all of creation; and that's something which Watts has evidently grasped in the writing of this hymn. That Jesus' full life's work reaches humans is obvious -- but how often, as Christians, do we forget that "the creation itself will be liberated from its bondage to decay and brought into the glorious freedom of the children of God" (Romans 8:21)?

And that last verse -- all good Christmas carols seem to look up from the cradle to the skies; for once he came in weakness, but soon he shall come in might. One day, he will be seen to rule the world; his blessings will flow; and all the nations will prove his righteousness.

And I guess that's why I love Joy to the World. It strikes a fundamentally optimistic note, looking to the future rather than dwelling sentimentally on the past. Thank you, Isaac Watts!

Monday, December 20, 2004

The Great Debates: Augustine – Pelagius

I tuned into Radio Four on Saturday evening, expecting to hear The Moral Maze crew arguing about some hot topic of the day, and was in for a surprise, in ways pleasant and in ways unpleasant. The series has ended for the next few months, and in its stead stood a programme entitled The Great Debates. This week’s programme, as I quickly learned, was about the debate between St. Augustine of Hippo and the itinerant British monk, Pelagius.

As students of church history will remember, Augustine won the day, convincing a church council that human beings are by nature incapable of saving themselves, requiring an act of God and God alone; that we are born with sin and guilt due to the sin of our federal head, Adam; and that God chooses those whom he will save as an act of his free and sovereign will, not due to any righteousness on our part, but purely out of grace.

Pelagius was condemned by the church council as a heretic and banished. For the record, I side firmly with Augustine.

The format is that of a classic debate, with two individuals on both sides who face each other off with argument and rhetoric.

Ignoring the substance of the arguments, the debate itself was a little weak. The chair seemed somewhat ineffectual, only realising that he’d allowed the debaters to lose the main point about five minutes before the end. Clearly, this is a failing (in a sense) of live radio, as the debate can hardly be re-run because one or both sides had written their script badly, as well as a failing of the chair. That said, I hope that the series producer was able to have a word with Allan Little, the chair, regarding the need to, ah, “dash them with a rod of iron”, should the need arise.

Unfortunately, both sides seemed to epitomise odium theologicum, seeming to have exchanged arguments of substance and truth for a slanging match based on accusations of misrepresentation and insults. I doubt this is how theologians run their debates normally, and it doesn’t seem terribly edifying.

On a related point, the debate seemed to focus a lot on whether the theological idea was fruitful for explaining human behaviour, whether the historical figures were interested in keeping people out of the church or broadening its appeal, whether the figures had led lives which were (by our standards) virtuous or pretty awful, and so on. Some time was spent well, discussing the implications of both viewpoints, but the concept of an objective standard by which both ideas could be judged seemed to have been abandoned in favour of pure pragmatism: does it work? However, this is starting to impinge upon the substance of the debate, and it is to this that I next turn.

Firstly, at least one person, somewhere in the chain, had misunderstood the nature of the debate between Pelagius and Augustine. Both sides in the programme were arguing about original (or inherited) sin, which, while an important facet of the debate between the two, was not the chief focus. The chief focus was the doctrine known as total depravity: chiefly, that sinful human beings cannot save themselves, but require an act of God to do it for them. Since both sides never mentioned this during the entire programme, I can only assume that they had been wrongly instructed. However, in a sense, that doesn’t matter. Both sides were at least debating the same thing; it’s just that they misunderstood the nature of the historical debate.

Secondly, there was a significant lack of Bible in the programme. That the two protagonists wouldn’t have quoted Scripture as much as a modern evangelical theologian would is not surprising: neither Augustine nor Pelagius were twenty-first century evangelicals, after all. However, I counted three quotations of the Bible in the programme, and only two of those were cited as such. The second speaker for Augustine quite impressively managed to pass off her only Biblical reference (“as in Adam, even so in Christ”) as “a traditional belief in the early church”. Well, yes, but no! It was depressing to see the Pelagians produce two Scripture references in favour of their position, while the Augustinians seemed to think that they had no such need.

Finally, the Augustinian side completely flopped in terms of what should have been a chief aim of their argument. The Pelagians, in discussing the implications of their view, were more than happy to apply Pelagius’ teaching personally to the audience: “Pelagius taught that we are all fundamentally good. Isn’t that nice?” (I summarise for brevity.) Well, false gospels are nice.

The Augustinians, by contrast, had a perfect opportunity to give a very quick presentation of the true gospel on national radio, to a live audience, and explained in terms of the implications of Augustine’s view. “Yes, Augustine teaches that we all have a fundamental problem, which is inherited sin and guilt, but he teaches that we can all have a fundamental hope, which is that God has dealt with that problem. When Jesus Christ died, he dealt with sin for all who will believe on him, and that’s the message which Augustine taught, as relevant today as sixteen hundred years ago.”

On balance, the Pelagians came off better than the Augustinians in this debate, mainly due to the Augustinians’ ineptitude and enjoyment of insult. Thank God the debaters today weren’t the ones running the debates all those centuries ago!

Footnote

One of the Pelagians, Richard Worsley (whose name shall ever stick in the throat, er, memory) almost deserves a whole essay. He is a Church of England vicar and practising psychotherapist. His (sole) argument in favour of Pelagianism was that, as a professional psychotherapist, he noted that psychotherapy and Pelagianism started from the same basic assumptions and, since psychotherapy as an empirical science works, Pelagianism must be true. Proof by psychotherapy: “That’s a novel argument. We haven't tried that on them before.” (Yes, Minister, The Challenge)

And of course, this heresy is specifically condemned in the Ninth of the Articles of the Church of England. Pelagianism as a system of thought also denies the Tenth, Eleventh and Thirteenth Articles of the Church of England. So this chap has signed up to a set of Articles in which he doesn’t fully believe. Remind me: why am I always surprised when I find Anglican vicars who don’t believe the Thirty-Nine Articles?

As a humorous footnote, Microsoft Word seems to be appalled at my spelling of Pelagianism, for which it suggests Plagiarism. Suggestions for an inner meaning of this are welcome!

Saturday, December 11, 2004

Chicken Tortillas

4 chicken breasts, sliced
Onion, chopped
Chillies, sliced
Red pepper, chopped
Can of chopped tomatoes, drained of juice
Cheese, grated
Mixed salad
Tortillas

Fry the onions, peppers and chillies until the onion is soft. Add the chicken and fry until the meat is cooked. Add the chopped tomatoes and cook on a medium to low heat for a few minutes. Put it and the salad and chees in bowls and let people make their own. There should be enough there to feed 4 people having two tortillas each.

This is dead easy. Even I managed it without too much difficulty! It's also a very nice recipe. A little bit spicy, but nothing too hot, and the tortillas are, as ever, lovely.

However, you can't have it too often -- 16 tortillas set me back £2.80, which, feeding six, amounted to a little over 40p a head. So while it's very nice as a chance, I can't see us having them all that often.
There isn't all that much food in there. You really have to pad it out with salad and things; I did it tonight without anything else, and it seemed a bit insubstantial. Perhaps I should have got that bowl of mixed salad after all...

Thursday, December 09, 2004

The Revenge of Milton Bradley

http://newsvote.bbc.co.uk/1/hi/magazine/4082415.stm

Good news -- board games are, apparently, set for a comeback. Bad news -- by "board games", it would seem that the BBC means Kerplunk!, Operation, Happy Families, Cluedo, Frustration and Ludo.

Now, I don't have anything particular against these games, but it does seem that they have an, er, Monopoly on the games that Brits play. (Sorry, just occasionally, I can't help punning.)

If only he'd managed to pick up something published by Rio Grande or Mayfair, instead. Or, if feeling a little more adventurous, Ravensburger, Hans im Glueck or Alea. Clearly, there's a place for Kerplunk! as a good fun family game, but it's hardly a board game. Also, if you're trying to encourage children to play board games as a way of getting them to spend some social time together as a family, you want something which will actually engage them -- Snakes and Ladders springs to mind as the prime example of an exceptionally dull game. Finally, if you're thinking board games are a cunning way to get children to learn skills like strategic thinking, you really need to graduate them onto strategic board games -- who'd a thunk it?


Since starting this thought and finishing it off, the BBC has opened a comments thread on the article. It's encouraging to see the first comment plugging Settlers and Puerto Rico. Wouldn't it be nice if the next BBC article was about how the UK board games market has started to take off, selling imported and translated German board games?